For six years, Nicolas Comment has erected a photographic shield from the body of Milo, love and muse who appears and disappears in the folds of never-ending desire. In the mirrors of Tangier, Berlin, Barcelona, Brussels, or Paris, the couple perform lovingly with and for the camera. From hotel to hotel, in rooms on strange side streets, in garden patios, Milo hides and undresses, captured to be better cared for within the dark camera chamber. But in these erotically-charged photographs, it is less about being stripped than the model and the photographer exposing themselves, freeing their exaltations and obsessions.Read more